You can read my review of the Supernatural episode “What Is And What Should Never Be” at pinkraygun.com. Thank you!
An excerpt:
There he is, mowing the lawn (badly, I might add), working his ass off on a sunny day, happy as a lark like it’s a gift to get grass dust and clippings on your pants, and to have your ears ringing for hours from the sound of the blade, and the smell of gasoline in your nose and on your fingers. And then, after, sitting on the steps, drinking a beer as he admires his handiwork and the day, and so happy, his smile beaming so brightly that it could burn your retinas if you were to look directly at it. (Luckily we have the filter of film to save us from that messy fate.) It’s all very pretty to look at, but when I think about it, about his joy in the simple act of mowing the freaking lawn, it makes my throat close up a little and I have to look away.
You can read my review of the Supernatural episode “Folsom Prison Blues” on pinkraygun.com. Thank you!
An excerpt:
“Second, the Lighting Guys must have been in an experimental phase, because what they’re using brings out some rather vivid pink and green tones to the boys’ skin, which contrasts rather abruptly with the orange uniforms the boys are wearing. It’s very stark lighting, and seems to represent the harsh reality of living within the prison system, a metaphor for the post-modern allegory to the amount of violence inherent in the system. (“Help, help! I’m being repressed!”) On the other hand, it could just be the Lighting Guys setting out to prove that Ackles and Padalecki are beautiful, no matter how you light them. Like we didn’t already know that.”
You can read my review of the Supernatural episode “Hollywood Babylon” at pinkraygun.com. Thank you!
An excerpt:
“There’s some lovely close-ups of Sam and Dean’s faces in the next scene, where once again in the trailer, the boys view the dailies. Sam uses his super smart ginormous brain to figure out that the invocation that “Wendy” is using to raise whateverthehell is real, and that this and not the ghost of the actress might be their real problem. The trailer is well lit, and the close-ups are excellent, I must say, especially of Sam thinking. His forehead gets this delightful squinched up expression, and his mouth kind of hangs open, all soft and pink, and his eyes glitter. I think he rather enjoys being smart, you know? He looks so beautiful when he does it that I rather enjoy it too.”
You can read my review of the Supernatural episode “Heaven and Hell” at pinkraygun.com. Thank you!
An excerpt:
“And THEN Dean takes his shirt off. In a word, incendiary. My couch was still charred from last week, thank you very much, and I kept thinking I might want to disconnect all those fire alarm batteries just in case. Because it was hot, full stop. It was hotter than burning, it was seduction and skin and a whole lot of sizzle, and I was bought and sold by the images of Dean’s bare back. He’s got a beautiful one, made up of curved muscles and that dip of spine, and lord, you could see a little bit of his underroos, which just sweetened the whole deal. I about died. Anne Shirley who? Doesn’t matter who he was with, he was, at LAST, with somebody. For all we’ve gotten the message pounded into our heads that Dean is Romeo and Casanova all rolled into one, it’s about time we got some canonical proof. More like this, please.”
You can read my review of the Supernatural episode “I Know What You Did Last Summer†at pinkraygun.com. Thank you!
An excerpt:
“Sam is a mess, and while it was most assuredly the script that indicates this, it’s Padalecki who stomps perfectly through the squalid squat where Sam is holing up, his slightly unfocused and bleary eyes not seeing the peeling wallpaper or the scuttle of cockroaches or the moldy, lead-based paint, nor even his own lack of grooming and self-care. All the time Padalecki is making Sam stare into the middle distance, at the wreck of his Dean-less world, I had the comfortable feeling that Padalecki gets it. That he understands his character so well that the ramifications of Sam’s loosing Dean come out through every pore, every twitch, every sideways roll of his eyes; every breath Padalecki takes contains the litany of Sam’s ever-present and suicidal grief. “
You can read my review of the Supernatural episode “Wishful Thinking” at pinkraygun.com. Thank you!
An excerpt:
“Sam snapping open his laptop has been a comforting recurring theme this season of which I heartily approve. Whenever the plot prescribes him to be at the laptop, and whether he’s at a desk in a motel or, as he is here, pushing the food aside, I get a little thrill of “oh, yes,” and imagine, somehow, that the Sam I know and love and that the Sam SAM knows and remembers has returned and all is as it should be. Seeing Sam with his laptop is like seeing James Dean behind the wheel of a Porsche 550 Spyder, which, even if you know that things are going to go to hell in hand basket really fast, looks iconically brilliant at the time. Because laptop or no laptop, Sam’s still headed down that slippery slope; I just hope he sees what’s coming at him head on.”
You can read my review of the Supernatural episode “It’s the Great Pumpkin, Sam Winchester” at pinkraygun.com. Thank you!
An excerpt:
“Although the demon wasn’t very light on his feet, I was worried about Sam, especially when he lost hold of the demon-killing knife. Yeah. Trouble ensues, because the demon is fairly powerful and determined and after waiting 600 years (which is when he was last cast into hell), this is his night. The relevant conundrum that Sam is confronted with is whether or not he will use his forbidden powers and save himself from Samhain. As a fangirl, this is a question that does not need asking, since the answer is so obvious, even though I know that Sam would be in SO MUCH TROUBLE should he do what he’s done before and lied about again, and again, and again. And then one more time after that. And then I became distracted by the fact that the lighting was such (oh, those lighting boys, ever on the job! Big smooches for ya!) that Sam’s eyes glimmered a rather strange color as he raises his hand to exorcise the demon. I couldn’t figure out whether it was yellow or white, but there was something there, something so very WRONG that my breath stuck in my throat and I though, “Oh, poor Sammy.”
You can read my review of the Supernatural episode “Yellow Fever” at pinkraygun.com. Thank you!
An excerpt:
“As Sam’s sitting there, he’s saying all those things that Dean has never wanted to hear. Saying them with dark tones in his voice and a finality that seems to be Dean’s biggest fear, that one day Sam will truly turn Dark and all this will be over, “all this” being the saving people, hunting things mantra that runs through Dean’s blood like, well, like blood. Because it is his blood and without it, I don’t think he can survive. Sometimes, I hate to think what will become of him when the last supernatural thing is laid to rest. Perhaps, like a gunslinger with no more bad men to kill, he’ll walk down to the streets of Laredo and wrap himself up in white linen and wait to die.”
You can read my review of the Supernatural episode “Monster Mash” at pinkraygun.com. Thank you!
An excerpt:
“Dean and the vampire fight, which is when Dean discovers that the MOW is a shapeshifter. As the chase scene ensues (as they do, and it’s a treat because I like to watch Dean running), I was particularly impressed by the stunt over the gate. The vampire comes running, and flies over the gate, complete with cape flapping, while Dean struggles with it, looking through the bars like an abandoned orphan. I’d like to give the stunt team and this actor a bunch of gold stars, which they can put on their calendars to remind them how well they did. Look, I know full well and good there was some sort of device, a mini tramp or something, that the actor stepped on to enable him to fly over the gate, but it was COOL, man.”
You can read my review of the Supernatural episode “Metamorphosis” at pinkraygun.com. Thank you!
An excerpt:
The brothers go to talk to Jack, who is in his garden, doing garden stuff. Typically, Sam introduces them both, and then they start to explain what’s going on. In this scene, unlike the earlier one in the Impala, the technique of skipping through the already-known facts about the rougarou make sense and saves time. The talk, naturally, does no good, except to give me more lovely close-ups of the boys, again in natural light. There’s lots of Sam’s lovely skin, and his noble brow furred in concentration, as well as tons of Dean, with his five o’clock shadow and his bright, green eyes. Which, as I’m sure you’ll understand, rather distracted me away from the dialog, which, of course, was the point of the scene and stuff.
